Bruce Springsteen – The Ties That Bind: The River Collection (2015)

320 kbps | 412 MB | UL |

‘The Ties That Bind: The River Collection’ is a comprehensive look at Bruce Springsteen’s ‘The River’ era, one of the most pivotal periods of time in his career. The set contains 52 tracks on 4 CDs with a wealth of unreleased material. It is comprised of the original ‘The River’ double album as released in 1980; the first official release of ‘The River: Single Album;’ and CD of 1979/80 studio outtakes.

Bruce Springsteen – High Hopes (2014)

brmp3 320 kbps | 128 MB | UL | TB   FLAC

Bruce Springsteen has confirmed plans for a new studio album, High Hopes, due out January 14th, 2014. Spanning 12 tracks, the follow-up to 2012′s Wrecking Ball includes a mixture of original material, covers, and reworked versions of past songs.
The album was recorded in New Jersey, Los Angeles, Atlanta, Australia, and New York City and marks Springsteen’s 18th studio album to date. It was produced by Brendan O’Brien and Ron Aniello, and features accompaniment from members of the E Street Band and Rage Against the Machine guitarist Tom Morello, who toured with the band in Australia and appears on eight tracks.
The tracklist sheds light on a new version of “The Ghost of Tom Joad” featuring a duet with Morello; “American Skin (41 Shots)”, which has previously only been released as a live recording; and a cover of Suicide’s “Dream Baby Dream”.

Bruce Springsteen – Collection: 1973 – 2012 (2013)


01.- Rosalita (Come Out Tonight)
02.- Thunder road
03.- Born to run [04:28]
04.- Badlands (2010 Remastered Version)
05.- The promised land (2010 Remastered Version)
06.- Hungry heart
07.- Atlantic city
08.- Born in the U.S.A.
09.- Dancing in the dark
10.- Brilliant disguise
11.- Human touch
12.- Streets Of Philadelphia
13.- The ghost Of Tom Joad
14.- The rising
15.- Radio nowhere
16.- Working on a dream
17.- We take care of our own
18. – Wrecking ball

mp3 320 kbps | 210 MB | UL | TB

Bruce Springsteen ‎– The Wild, The Innocent & The E Street Shuffle (1973)

brBruce Springsteen expanded the folk-rock approach of his debut album, Greetings from Asbury Park, N.J., to strains of jazz, among other styles, on its ambitious follow-up, released only eight months later. His chief musical lieutenant was keyboard player David Sancious, who lived on the E Street that gave the album and Springsteen’s backup group its name. With his help, Springsteen created a street-life mosaic of suburban society that owed much in its outlook to Van Morrison’s romanticization of Belfast in Astral Weeks. Though Springsteen expressed endless affection and much nostalgia, his message was clear: this was a goodbye-to-all-that from a man who was moving on. The Wild, the Innocent & the E Street Shuffle represented an astonishing advance even from the remarkable promise of Greetings; the unbanded three-song second side in particular was a flawless piece of music. Musically and lyrically, Springsteen had brought an unruly muse under control and used it to make a mature statement that synthesized popular musical styles into complicated, well-executed arrangements and absorbing suites; it evoked a world precisely even as that world seemed to disappear. Following the personnel changes in the E Street Band in 1974, there is a conventional wisdom that this album is marred by production lapses and performance problems, specifically the drumming of Vini Lopez. None of that is true. Lopez’s busy Keith Moon style is appropriate to the arrangements in a way his replacement, Max Weinberg, never could have been. The production is fine. And the album’s songs contain the best realization of Springsteen’s poetic vision, which soon enough would be tarnished by disillusionment. He would later make different albums, but he never made a better one. The truth is, The Wild, the Innocent & the E Street Shuffle is one of the greatest albums in the history of rock & roll.

mp3 160 kbps | 118 MB | UL