Metamodern Sounds in Country Music is the follow-up to Sturgill Simpson’s critically acclaimed debut, High Top Mountain. The album title – an allusion to Ray Charles groundbreaking 1962 record, Modern Sounds in Country and Western Music – hints at the psychedelic sounds found within. Compared to Waylon Jennings and Merle Haggard, Simpson explores a more progressive side of outlaw country in his wholly unique and captivating second album.
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