August 28, 2013 - It Rock And Roll
 

Day: August 28, 2013

DEFollowing supporting slots with Ray Lamontagne, Ellie Goulding and Martha Wainwright, the Scouse country/blues woman Delta Maid releases her debut album.
Influenced by Patsy Cline, Loretta Lynn and of course numerous Liverpudlian musical greats, Delta makes no attempt to hide her influences over the course of the album, but spins them in a contemporary and fresh way.The 26-year-old croons over her unique and mellifluous acoustic finger picking style and shockingly in the recent musical landscape, writes her own lyrics.

mp3 320 kbps | 110 MB | UL | CL

blThe blues rock revival has seen two distinct halves follow their own paths. On one side, Jack White and The Black Keys moved steadily into the pop realm, their garage-riffed jams largely driven by simple guitar/drums instrumentation and digestible, genre-focused styles (give or take White’s marimba). Those that drift further into the roughed up psych-soul half of the equation have remained one odd step off of that path, the likes of King Khan too gleefully weird and perpetually near-nude, The Black Lips too ready to vomit and piss onstage, Nobunny too…Nobunny. For years now, Black Joe Lewis has been able to straddle the two, his soulful croon, incorporation of richly appointed backing band, and varied discography suggestive of the latter half, yet still approachable enough to suggest a possible move to the big time.
That trend continues on the Austinite’s new LP, Electric Slave. Lewis pushes some individual twists to the agenda without the choices becoming overwhelming. The album professes a strong anti-technology bent, and opener “Skulldiggin” sets that table with gigantic guitar and bone-breaking drum work. In heavier hands Lewis’ howled lyrics about mind control could come off as luddite paranoia, but the chainsaw riffs keep the song from slipping into unbridled mania. Rather than encouraging a Google Hangout, he’s the kind of guy that wants everybody to come over and spend time in person. “I got all the good jams/ gonna pull the furniture out the living room tonight/ cause everybody rockin’ at my party,” he yowls as he sets up a party for just about everyone. This isn’t just for the garage kids or the funk throwbacks; the rhythms are flecked with shimmery disco cymbals and the sax even breaks into a pretty good impression of “Rumpshaker”.

m4a  256 kbps | 89 MB | UL | CL

lo The Mads started out in the mid-1960s, playing covers and a few of their own songs on Peruvian television. But a chance sea-side encounter with Mick Jagger and Keith Richards after a private party got the Mads the chance to go to England; interest from Stones’ manager Marshall Chess got them backstage to see Hendrix at the Isle of Wight—and recording time in the Rolling Stones studio.
Some demos recorded there and at Jagger’s Stargroves castle (recorded live to studio truck, just like Led Zeppelin did for their third and fourth albums) plus a name change to MOLESTO got them gigs at the main venues in London. They jammed with Steve Winwood and Brian Davison (The Nice); they played with Jeff Beck and Carmine Appice; Molesto’s guitar player, Alex Ventura, worked in a clothing boutique alongside Freddie Mercury and Roger Taylor. They were in the musical heart of England. And at that point, faced with growing friction within the group, Molesto disbanded. This disc collects recordings from all three stages of Los Mads/The Mads/Molesto’s six year career, including two tracks from the Stargroves session.

mp3 320 kbps | 129 MB | UL | CL

MACollecting live performances from the Masters of the Banjo tour from the early 1990s, an impressive audio history of the banjo is provided by way of 26 performances by 11 different artists. Everything from Seleshe Damessae’s performances on African krar, an ancient precursor to the modern banjo, to Ralph Stanley’s bluegrass workouts is represented, with a large number of the samples coming from a Celtic tradition, as well. Kirk Sutphin, from the legendary Sutphin family, provides fine examples of early American banjo tradition, using claw hammer style in “John Brown’s Dream” and a rollicking string band tune in “Let Me Fall.” Multi-talented Tony Ellis contributes four of his amazingly intricate original compositions, representing the progression of the instrument from primarily being dance accompaniment to something altogether more pensive. Irish tenor banjo workouts by Seamus Egan show a strong influence of Irish uilleann pipes, as he embraces both traditional and contemporary styles. Carroll Best’s unique three-finger style and Will Keys’ two-finger up-picking style are extraordinary examples of how differently the instrument has developed even from region to region in the southern United States. All in all, you have a concise, though certainly not complete, history of the progression of the banjo that does a fine job showing the past, present, and future of the instrument.

mp3 320 kbps | 188 MB | UL | TB

FR

On her last album, Middle Cyclone, Neko Case sung about creatures snuffling, frogs and tornadoes, the beauty of ancient nature and our inner animals. Her Attenborough-inspired artistry won her two Grammy nominations in 2009 as well as thrusting her into the glare of the mainstream. So will the singer’s sixth album continue the wave of acclaim, given that it’s largely about loneliness and death? The Worse Things Get, the Harder I Fight, the Harder I Fight, the More I Love You charts the internal minefield of childhood, love, and loss by way of power pop, classic rock, folk and Motown. The album emerges from a three-year period Case describes as full of “grief and mourning,” in the wake of the deaths of many close to her.
“I fought hard against the feeling of grief all my life,” she says, “but about three years ago I finally had to give in and mourn the dead. I had to look inward more than I wanted. It was sobering, and I often felt like I was blurring the lines of mental illness. When I stopped fighting it,” she adds, “it took me where I needed to go.”
Whether she’ll ever come back from the blue remains to be seen. But in the meantime, have a listen and let us know what you think.

FLAC  | 246 MB | UL | TB      mp3 320 kbps | 95 MB | UL | CL

MICK

A recently discovered, previously unreleased album from the blues guitar maestro. Recorded in 2004 and featuring a few blues covers amongst a mainly self penned album of new songs.

Tracklist:

1. Hoochie Coochie Man
2. She’s Into Something
3. Sunday Drivin’
4. What Am I Living For
5. Cornbread And Peas
6. Poor Boy
7. You Shook Me
8. Roadroller
9. Used To Being Down
10. Medication Blues
11. Three Days At Four
12. G.B.N.H.S. Blues
13. Take A Good Look Woman
14. I Ain’t Never
15. Stormy Monday

mp3 320 kbps | 172 MB | UL | TB

riAfter his departure from Deep Purple in 1993, Ritchie Blackmore reformed Rainbow with a new line-up and went into the studio to record the acclaimed Stranger In Us All album. The band then took to the road for an extensive tour which included this 1995 live concert in Dusseldorf filmed & recorded for Germany’s famous Rockpalast TV series. The set features several tracks from the Stranger In Us All album alongside classic Rainbow and Deep Purple tracks. The band are on blistering form and Ritchie Blackmore shows just why he is so revered as a guitarist. This previously unreleased show is a great addition to any Rainbow fan’s collection.

mp3 320 kbps | 361 MB | UL | TB

It Rock And Roll ©2017. All Rights Reserved.